The writing life is rarely straightforward. There I was, happily researching anthropology when a niggling voice at the edge of my consciousness kept pestering me. At first, I tried to ignore it, but it just got louder. I sighed and started to pay attention, and a woman’s voice got clearer. Anais Quinn refused to be silenced, or even wait until I was ready. She’s been nattering at me, telling me details, tidbits of her life, at all hours. So now I’m falling down a totally different rabbit-hole…for me.
“Tool marks where a door was forced open can indicate a point of entry, shoe prints can show a path of travel, and bloodstains can indicate an area where the conflict occurred…”
Want to take a guess what Anais Quinn does for a living?
Cultural Anthropology is the study of human cultures, beliefs, practices, values, ideas, technologies, economies and other domains of social and cognitive organization, and it has a lot to teach authors. This occurred to me the other day while I was knitting. To understand, you need a little background.
I, along with a friend, manage a group of crafters that have wonderful imaginations. We imagine that we are all students at Ilvermorny School of Witchcraft & Wizardry, a la Harry Potter and Hogwarts. Hogwarts creator, J.K Rowling, invented Ilvermorny, but she’s never said much about it, leaving us free to take our version of the school in wonderful new directions. On Ravelry (an enormous crafting-oriented website), there are other “schools” that are magic and crafting related, but we’ve taken our Ilvermorny in a direction that none of them have. We’re injecting a lot of realist education theories and practises into Ilvermorny. The one that concerns us today is the concept of “Majors”.
For those who may not know, a Major is simply a specific subject that students can specialize in while aspiring to a degree. At Ilvermorny, one of the five degrees that our students can pursue is a ‘Cultural Anthropologist Specialty’. The Majors program is a pet project of mine, so I’ve spent a lot of time putting it together. As I worked, anthropology began to look more and more interesting. So naturally, I fell down the internet rabbit hole, as we sometimes do. When I came up for air and coffee, I was struck with the realization that this field was what I could see myself doing in an alternate universe, you know if family dynamics, money, education and all kinds of other barriers weren’t in play. Friends, I honestly got chills.
So what does this have to do with my opening statement? I’m a writer, one stuck in countless edits and rewrites, but a writer all the same. So after I emerged from that rabbit hole, I got to wondering…what does the field have to offer writers? Further, can one study anthropology without the cost? The answer to my first question is easier than to the second. Writers, most especially in speculative fiction, create entire cultures. Those that are more easily visualized are the ones more developed in the writer’s mind, the ones with an economy, religion, social structure, and so on. Instead of relying on twenty or a hundred questions, we writers could learn a lot from anthropological studies already done. In my case, that means that my characters on New Olympus are currently in need of some more culture. Like, a lot more. It’s not really fair to compare a culture only developed within a few hundred years to an indigenous culture thousands of years in the making, but in a side by side comparison, I can see where my New Olympians are lacking. So I begin to get an idea of what I need to study in anthropology to bring my New Olympians more fully to life. To begin to bring them to the level of Tolkien’s ancient races of Elves and Hobbits. And isn’t that what many speculative fiction writers quest for? To create characters that will be remembered a hundred years from now alongside Tolkien’s? Well…it is for me.
Next time, what can I learn from comparison? Quite a lot apparently!